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One to One: John & Yoko

Yes, I’m a witch for not recommending this music doc.

There are many challenges in John and Yoko’s lives, such as him being threatened with deportation and her losing custody of her daughter. There are also some colorful lighting for the music segments, including “Come Together” being shot in light blue, and “Mother” being shot in blue, red, and orange. And there is the canceled “Free the People” tour, which was dedicated to raising money to free innocent African-American prisoners who couldn’t afford bail. 

“One to One: John & Oko” is also presented in the style of changing channels. There are very few snippets of classic commercials, but bigger attention to such names as the title singers, Shirley Chisholm, John Sinclair, and Richard Nixon, and the Vietnam War, which sparked major protests. At least this style of filmmaking is more interesting than the phone calls, which basically go on repeat, especially with all the talk about flies, which I believe was for the short film John and Yoko were making. 

I’m a Beatles fan, and my reaction to this doc has nothing to do with my age. It has to do with the filmmaking techniques presented by Kevin Macdonald and Sam Rice-Edwards. A film made by these two should know the directions a story like this should be presented, but this one misses the mark.

It seems to be indulged in all the channeling changing and phone calls and how colorful the archival music segments look than on the very importance in John and Yoko’s relationship and what Willowbrook was like for those kids. I may have Autism, which is a different disorder than what those kids have, but I still show my respect for them. I suggest this doc does, too. A little more to be exact.

Rating: 2.5 out of 4.
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