Big laughs, cameos, and showdowns between these two Marvel characters make this a fun satire.

Ever since Disney bought out 20th Century Fox, it has been given that lame new name 20th Century Studios. Studio sucks. Ever since “Ant-Man & The Wasp: Quantumania” and “Captain Marvel” bombed at the box office, the Marvel Cinematic Universe has been reconsidering their options and using some patience for a portion of their upcoming movies.

And ever since Hugh Jackman saw the first “Deadpool” movie, he has reconsidered putting his claws away for his iconic X-Men character Wolverine in “Logan,” and makes his comeback by joining Ryan Reynolds’ Deadpool character in “Deadpool & Wolverine.” That makes a lot more sense than “Deadpool 3.”

In this threequel, Wade Wilson retires from his Deadpool days, but finds himself at the Time Variant Authority (TVA), the same place Loki was at, but with a different agent Mr. Paradox (Matthew MacFayden). His time traveling crimes have put them in an awkward position, and they have the potential to erase what he has fixed. And they also need him to find the deceased Logan A.K.A. Wolverine to help save their world. At least that’s what I think, because it gets confusing, but it’s all part of the fun. And the stakes are higher when Charles Xavier’s twin sister Cassandra Nova (Emma Corrin) comes in the picture.

It would make sense that these two would share their love for violence, and act in a Roger Rabbit and Eddie Valiant way, considering that Deadpool is a wisecracker and the Wolverine he finds is a disgruntled drunk. Reynolds and Jackman are absolutely hilarious and affectionate in their own respective ways of dealing with whatever reality they’re both in, and how their chemistry gets bloody.

Now directed by Reynolds’ recent collaborator Shawn Levy, “Deadpool & Wolverine” may not be as fresh as “Logan” or “Deadpool 2” in terms of its convoluted side, but it does make up for what MCU has given us lately. Yes, “Guardians of the Galaxy Vol. 3” was a fun and emotional conclusion, but I feel that superhero movies (Marvel or DC) should either go back to their roots or reflect on one of their best years. 2008 is an example when we had “Iron Man” and “The Dark Knight,” etc.

Now, that we have “Deadpool & Wolverine,” we can easily relate to the indulgence and commercialism Disney and Marvel have brought upon fans. They can express their opinions wisely or nostalgically. I can relate to the topics half the time, but I can acknowledge the direction that superhero movies would take.

I’m forbidden to give you all the cameos that appear (even though you already knew Jennifer Garner as Elektra or Dafne Keen as Logan’s daughter Laura or Tyler Mane as Sabertooh would all appear), but I can tell you this: some of them deserve a comeback, some of them have been tainted by bad filmmakers, and some have never seen the light of day. But now they have, and you better believe the audience will be applauding.

As always, there’s a lot of blood, a lot of vulgarity, a lot of nostalgia (with the soundtrack featuring songs played in “Back to the Future,” “Grease,” and even “The Greatest Showman,” which also starred Jackman), and a lot of big laughs. But lately, there’s also vulnerabilities within the Deadpool character, and he doesn’t always have to be a wisecracker. In fact, he wants to be an Avenger and a completely different person. But given the circumstances, I’m not sure how.

And plus with Green Day’s “Good Riddance (Time of Your Life” playing during an end credit montage, you’re easily reminded of how “Seinfeld” should have ended. “The Chronicle” instead of “The Finale.”